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・ Elaine Paige and Friends
・ Elaine Paige in Concert
・ Elaine Paige Live
・ Elaine Paige on Sunday
・ Elaine Parent
・ Elaine Parker
・ Elaine Pen
・ Elaine Pope
・ Elaine Powell
・ Elaine Princi
・ Elaine Proctor
・ Elaine Quijano
・ Elaine race riot
・ Elaine Radford
・ Elaine Rapp
Elaine Reichek
・ Elaine Riley
・ Elaine Roe
・ Elaine Roth
・ Elaine S. Dalton
・ Elaine S. Edwards
・ Elaine Scarry
・ Elaine School District
・ Elaine Schreiber
・ Elaine Schuster
・ Elaine Schwartz
・ Elaine Sciolino
・ Elaine Scruggs
・ Elaine Shaffer
・ Elaine Shemilt


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Elaine Reichek : ウィキペディア英語版
Elaine Reichek
Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work.〔Birnbaum, Paula. "Elaine Reichek: Pixels, Bytes, and Stitches." Art Journal: 18-35.〕
== Life and work ==
Elaine Reichek was born in New York, New York in 1943. She received a BA from Brooklyn College in 1963 and BFA from Yale University in 1964, where she studied painting with Ad Reinhardt. She has created a wide body of work, including thread-based drawings, knitted pieces, and installations. In the 1990s she began to focus on needlework samplers, an object which combines image and text. Several of her series, including ''MADAMI'MADAM'' (2000–2002) and ''Ariadne's Thread'' (2008–2012), juxtapose famous quotes and lines of literature with hand- or digitally-embroidered images. The text relates narrative, drawing, and thread as parallel instances of linear structure.

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